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Posted inArt

Less Is More at the Armory Show Modern

Let’s face it: navigating Armory Week and all its various satellites is a bitch. With so much art to see and endless booths to maneuver, it’s all very daunting. But we love it. Well, at least I love it.

Spontaneity and taxis are the two things I rely on the most. Spontaneity, because one should always open to possibilities, no matter what the schedule might dictate. Taxis, because who in their right mind wants to walk the five long-ass blocks to Pier 92, where the Armory Show’s Modern section was housed, from the subway (with a headwind off the Hudson River that somehow affects travel in both directions)?

Posted inArt

A West Coast Press Turns 50

SAN FRANCISCO — The main focus of the de Young Museum, located in Golden Gate Park and given a big redesign by architects Herzog and De Meuron in 2005, is American art past and present, encompassing ancient art of all the Americas as well as art of the United States from the colonial era up to today. There are several temporary exhibitions running at the moment that are worth going to see if you’re visiting the Bay Area. One of them, the William S. Paley collection, is sort of self-evidently marvelous, with its classic examples of Gauguin, Picasso, Matisse, Degas, and other titans of the School of Paris. The other, Crown Point Press at 50, shows work that is less well known but deserves to be equally celebrated.

Posted inArt

Three Takes on Minimalism from Robert Irwin, Mark Flood, and Richard Tuttle

On view in Chelsea right now are three gallery shows that offer drastically different takes contemporary takes on minimalism. Two are from classic minimalist artists: Robert Irwin and Richard Tuttle have pioneered the movement since its first flowering in the 1970s. The third artist is kind of a gutter punk, but the crusty, abject work of Mark Flood might be the most engaging riff on minimalism’s fading grandeur.

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