Guava Island is a fun, colorful, anti-capitalist romp that leaves viewers smiling.
The relevant split isn’t rock vs. pop (both are “pop” artists) but expressive vs. functional, always the key distinction in how pop music presents itself.
The fashion world’s elite came out last night in what is likely one of the most important events in the industry, as well as a huge fundraiser for the Metropolitan Museum of Art.
For too long there has been a large divide (whether real or imagined) between visual art and music. After all, what we came to call art most likely formed out of traditional ceremonies with music, dance, shrines, costumes, and ritual objects all working together. Now, that boundary is collapsing again.
David Lachapelle has returned to his career. Much like the similarly-named Dave Chapelle, Lachapelle retreated to a farm after his documentary Rize flopped. But evidently nature wasn’t quite thrilling enough for him, and so he’s back in New York, with a retrospective at the Michelman Gallery and a show of new work at Lever House. I attended Lachapelle’s talk on his new exhibition at the Michelman Gallery, a retrospective of early works from the 1980s. Lachapelle spoke thoughtfully, choosing his words slowly and with great care for how each phrase would be perceived (a good choice, given the reaction to his recent New York Times profile). He was gracious, soft-spoken and polite. The gallery’s tiny audience hung on to his every word. I did not. I fell asleep.