Art
Robert Mangold's Emotional Optics
With his recent works, Mangold underscores a consciousness of mortality that he meets with a gracefulness that is breathtaking.
Robert Mangold
Art
The Met’s Wrong Turn on Revisionism
When an exhibition is as puzzling as this one, it’s useful to step aside and reflect.
Art
Robert Mangold’s Sense of Things
For Mangold, more than any other artist of his generation, painting is contingent, rather than self-sufficient. It is part of an active relationship.
Art
Seeking the Real at Art Basel Miami Beach
So where were they? An Inside Art column published in The New York Times a week before the opening of Art Basel Miami Beach dangled the prospect of a more inclusive fair this year, one that would feature “A Focus on Female Artists,” as the headline put it.
Art
Why There Are Great Artists (Part 2)
Before writing about Sylvia Plimack Mangold’s shift from interiors to landscapes, I think it is useful to once again consider the floor paintings, which she worked on for about a decade, beginning in 1967. It is in these paintings that the artist defines an approach to subject matter from which she
Art
Office Space: The Conceptual Art Show?
In 2011, the American Dream has deteriorated to looking like an empty office space with abandoned cubicles, lone water fountains and abandoned family photographs of the past employees. On two floors of the midtown Manhattan Lipstick Building, and only an elevator ride away from Bernie Madoff's old o