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Hyperallergic

Hyperallergic

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Robert Morris

Posted inArt

The Late Robert Morris’s Final, Political Exhibition

by Peter Malone December 4, 2018December 3, 2018

Morris, who died last week, left us with this intelligent, stimulating, and typically open-ended show.

Posted inArt

In Tate Modern’s New Wing, a Broader, More Global View of Art

by Christopher Snow Hopkins June 16, 2016June 17, 2016

LONDON — The day began in the Turbine Hall, the 85-foot-tall atrium at the heart of Tate Modern, the most visited museum of modern and contemporary art in the world.

Posted inArt

The Met Breuer Traces the Unfinished to the Deliberately Incomplete in Western Art

by Elisa Wouk Almino March 15, 2016March 15, 2016

At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.

Posted inArt

Robert Morris’s Spectral Shrouds

by Peter Malone November 5, 2015November 7, 2015

Robert Morris has comported himself for decades as the least minimal of the original minimalists.

Posted inArt

7 Artists, 25 Pages Each, 1 Half-Century Later: Revisiting the Xerox Book

by Tiernan Morgan October 22, 2015October 22, 2015

In 1968, Seth Siegelaub and John Wendler published the first edition of the so-called “Xerox Book.” The untitled publication, which was conceived as an exhibition in itself — and is currently the subject of a show at Paula Cooper Gallery — is now considered a seminal artist book.

Posted inArt

Minimalist Duets in Sculpture and Dance

by Jason Andrew October 20, 2015October 23, 2015

During the summer of 1960, dance artists Simone Forti, Nancy Meehan and Yvonne Rainer rented rehearsal space at Dance Players on Sixth Avenue so they could improvise together.

Posted inArt

A Universe of Drawing, Rolled into a Single Room

by Thomas Micchelli April 18, 2015January 19, 2016

Ten years ago, the Morgan Library & Museum decided it was time to bring its collection up to speed on the art of drawing in the 20th and 21st centuries — a daunting task in itself, and even more improbable in the face of a superheated, late-capitalist art market: at the feast of the trophy-eaters, would the museum be forced to content itself with scraps?

Posted inOpinion

Minimalism’s (Ahem) “Relations”

by Hrag Vartanian July 22, 2011July 22, 2011

A golden nugget from James Kalm’s Facebook profile page and the birth of a fantastic new term, “vaginal surround sound.”

Posted inArt

Die Die Die: A Survey

by John Powers July 2, 2010July 2, 2010

This is an artist’s essay that explores some of the ideas put forward in Powers’ three-part essay, “Art, Not Suicide,” published earlier this week. -Ed. Note

Posted inNews

Sculpture is Dead: Art, Not Suicide (Part 3/3)

by John Powers June 30, 2010July 2, 2010

One of the definitions given by the OED for sculpture is, “as a type of silence or absence of movement of feeling.” After 700 hours of sitting ‘still as a statue’ and silently engaging a series of 1400+ visitors at MoMA, Abramović has completed what is being hailed the longest work of performance art.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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