Sensory pleasure inspires this exhibition design, treating the last imperial dynasty of China as a feast instead of a major art movement.
MIAMI BEACH — Wandering for hours around the convention center housing Art Basel Miami Beach tends to make one long for fresh air.
A not-so-minor detail was left out of a recent New York Times review of Robert Wilson’s reinterpretation of Shakespeare’s Sonnets at the Brooklyn Academy of Music (BAM): The sonnets were the gayest thing the Bard ever wrote.
Marina Abramović, as you may have heard, is dead. She has died at the age of 67 and is being celebrated at the Park Avenue Armory with a production by pioneering theater director Robert Wilson, called The Life and Death of Marina Abramović. She is also starring in the show, quite alive, alongside Willem Dafoe, Antony (of Antony and the Johnsons), and a cast of roughly a dozen other performers.
PARIS — I was lucky enough, and I am old enough, to have been in the audience of Philip Glass and Robert Wilson’s Einstein on the Beach in 1976 at the Metropolitan Opera House in New York, and then again at The Brooklyn Academy of Music in 1984.
William Basinski, self-described composer of “experimental electronic ambient music,” played selections from his new CD Nocturnes at Issue Project Room’s Ten Years Alive on the Infinite Plain celebration recently held at its majestically renovated downtown Brooklyn location.
Of all the celebrations honoring Philip Glass on his 75th birthday, the exhibition Robert Wilson/Philip Glass: Einstein on the Beach at the Morgan Library & Museum is probably the most modest, but it is one of the most magical. It is also arguably the most in keeping with the stripped-down aesthetic that gave birth to Glass’ musical minimalism and Wilson’s experiments in durational theater.
The last day of the Marina Abramović’s “The Artist Is Present” at MoMA was marked by a frenzy of activity both IRL and online. The veteran performance artist has proven that her art form has come of age and it can hypnotize a whole city — and art world — into believing or “unbelieving” that she’s the biggest game in town.