Salvatore Scarpitta’s imagination was wild and full of high jinks. It is one reason why the art world has never known what to do with him.
The Armory Show is thought of first and foremost as a venue for buying contemporary art, but on the fair’s southern pier dealers quietly move Modern masterpieces worth millions.
The ADAA Art Show marked its 25th anniversary this year, and the 2013 edition at the Park Avenue Armory was definitely a very mature, stately fair, with only the slightest of dark undertones to its otherwise unsurprising, but elegantly sleek, presentation.
Marianne Boesky, you saucy little wench! Mine eyes had never taken you for propagating such a meat market amidst such stagnant clinical settings. You always seemed more the proper uptown type, rather than mistress of Manhattan’s nether regions.
Now that I’ve gotten that out of my system … walking into Ms. Boesky’s current five-man exhibition I felt at any moment some Neanderthal would ambush me from the rafters to have his way with me. Focusing on the more brutish and texturally risqué works of Jorge Eielson, Donald Moffet, David Noonan, Steven Parrino, and Salvatore Scarpitta, Stripped, Tied and Raw is a wonderful exploration into the power of fabric as sexual metaphor and how a simple fold can be much more than the sum of its parts.