What does it mean when you hook up your work to that of a late modernist giant working in a reductive vein – Ad Reinhardt, Agnes Martin, Robert Ryman, Ellsworth Kelly, Frank Stella, or Donald Judd, for example – like a caboose?
I had the opportunity, to interview Robert J Lang, the origami artist who, along with several others, has filed a lawsuit against painter Sarah Morris who, they say, infringed on their copyrights when she produced 24 of her Origami series of paintings based on crease patterns.
In the following article, we explore Lang’s art, the many forms and practices of origami artists now and in the past, and the diversity of its uses. The article is followed by an interview with Lang in which he addresses, among other things, his lawsuit against Sarah Morris.
In the latest who’s-suing-whom story, six origami artists have filed suit for copyright infringement against artist Sarah Morris for jacking their crease maps to use as a basis for her colorful Origami series of thirty seven paintings.
My first thoughts: Morris cannot lose this one. We have mass-marketed two-dimensional recipes for creating three-dimensional folded paper items, and these recipes have been used as the formal basis for multi-colored two-dimensional paintings. What of it?
Modern Art Notes’ Tyler Green has a knack for wonderful ideas that create entertaining conversations about art, lest we forget his tweet that lead to the Super Bowl bet between the New Orleans Museum of Art and the Indianapolis Museum of Art. Like the footbal bet, his latest idea also combines his two loves, sports and art, to create what he is calling, “The Greatest Living American Abstract Painter Tourney-ish.”