Through four newly designed “instruments,” Oppenheimer explores how individual and communal actions shape the spaces we inhabit.
If most people think of contemporary Baltimore as the land of John Waters, then maybe the Baltimore Museum of Art’s growing presence on the contemporary art scene may help diversify people’s perceptions beyond the drag queen Divine and campy gay bars. The museum announced details yesterday about their renovation currently in progress on its contemporary wing.
The next morning I took the T (aka, the trolley) into the city, and walked across the bridge to The Warhol. I love The Warhol. (Hate the NO PHOTOS policy though.) It never lets me down. Feels a bit like Mecca to me. Even when I know what’s on, I always come across surprises. The first one greeted me in the 1st floor museum intro room. For the first time, I saw the “Album of a Mat Queen” (1962), Warhol’s silkscreen of the writer and painter Rosalyn Drexler from her days as a professional wrestler. (SORRY. NO PHOTOS.) A huge fan of Drexler, I had only read about this image. This is standard operating procedure at The Warhol. Surprises from their deep collection around every corner. (SORRY. NO PHOTOS.)