Satire
Night at the Biennial
The art world is a scary place. A horror satire.
Satire
The art world is a scary place. A horror satire.
Satire
The Muppets have always encouraged us to express our feelings, right? Well, this song expresses our feelings about the terrible things happening right now.
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An accompanying exhibition at the Costume Institute aims to diversify our understanding of the movement, emphasizing that “fascists are not a monolith.”
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The show invites participants to fall in love with a work of art without ever seeing it.
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The painting depicts a handsome figure with thickset brows and the Latin words “Mora, Negare, Deponere” (“Delay, Deny, Depose.”)
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The policy is the museum’s newest attempt to shift its financial burden onto its lowest-ranking staff and the public.
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The initiative is part of President Trump’s push to restore “American greatness” at the Smithsonian.
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Much like the iconic piece, a suite of five “never-before-seen” works tackles big emotions.
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The president called for “a return to showcasing the great art of this country in a context-free void” and “definitely not in a liberal European swamp.”
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Some respondents added that they will occasionally hate-read a negative review of an artist they vehemently dislike, which “just hits different.”
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From Georgia O’Keeffe’s suggestive cabbage to Andrew Wyeth’s cornbread of the everyman, the findings represent a treasure of art and culinary history.
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No Vanitas paintings, no parables, no metaphors — just pigging out.