Twenty years in the future at a little museum called the Metropolitan Museum of Art.
Miriam Elia, the artist accused of copyright infringement by Penguin UK for her children’s book parody We Go to the Gallery, is auctioning off the remaining 10 copies of her first edition run on eBay.
Last December, artist and comedian Miriam Elia raised funds on Kickstarter to publish the first edition of a satirical book she had written with her brother, Ezra. Called We Go to the Gallery, the book is a riff on what’s popularly known in the UK as the “Peter and Jane” series. But shortly after the release, she received a cease-and-desist letter from Penguin UK.
Vito Acconci is an underrated poet.
Gilbert Adair is well worth reading.
Rachel Adams is well worth reading.
Etel Adnan is an underrated poet.
In the most recent edition of The Economist, an article makes the claim that satire has, in recent decades, seen an unprecedented popularization. No longer the fief of haughty artists and writers, satire is now an everyman’s gig, they say.
You may know Steve Martin from being one of our time’s defining comedians, actors and celebrity figures. But along with those first few titles, the man is also a renowned collector of contemporary art, as well as a novelist and a playwright. These pursuits could be called hobbies if they didn’t require quite so much dedication. Martin’s An Object of Beauty (2010), his third novel, attempts to combine the actor’s sidelines in writing and art into a narrative showpiece that aims a satirical skewer at the art world. Unfortunately, the punch never lands. Object of Beauty is too simplistic and editorializing for an art world-savvy audience and too limping for readers just looking for a punchy narrative.