Is watching Jordan Peele’s latest film nothing more than an exercise in decoding his message?
It’s another equally thrilling and smart ride from the rising director, subtly tackling intersecting ideas about “seeing” and “being seen” along the way.
Saul Williams and Anisia Uzeyman’s new film performs a radical intervention upon the science fiction genre.
With The Matrix Resurrections, writer/director Lana Wachowski critically examines how our understanding of gender and identity has changed since the original trilogy.
The only film directed by composer Jóhann Jóhannsson before his death in 2018, Last and First Men is an eerie combination of sci-fi and documentary.
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
Possessor is a gruesome, disturbing sci-fi thriller about identity.
The latest installment of indie animator Don Hertzfeldt’s World of Tomorrow series expands its bleakly funny vision of the future.
In Blueprints, Cao works primarily as an anthropologist of sorts, creating a space where the past and the future are not so easily demarcated.
While the series often falters, season two feels less self-conscious about its status in this iconic franchise, and more willing to simply be itself.
Jemisin will join comedian W. Kamau Bell for a discussion of sci-fi, Afrofuturism, and her most recent novel, which brings her unique brand of speculative fiction a little closer to earth.
The award-winning author-illustrator duo Damian Duffy and John Jennings have teamed up again, but at times, Parable of the Sower: A Graphic Novel Adaptation feels unoriginal, even for an adaptation.