The Belgian artist Ilse D’Hollander rejected abstraction and figuration as an either/or premise in favor of a path that embraced both.
In this expansive conversation, artist Shahzia Sikander discusses her first solo exhibition in a decade and her hopes for a post-pandemic art world.
Sikander’s first New York solo show in nine years includes a captivating range of paintings, mosaics, animations, and the artist’s first-ever sculpture.
Due to the pandemic, museums and galleries are now creating virtual experiences. Here’s what it’s like to visit them.
In Mexico foregrounds Höfer’s images as records of a site’s architectural and sociopolitical history.
Liu Wei returns to New York to show an idiosyncratic body of work that marks a radical departure from the paintings that made him a star
In his new show at Sean Kelly Gallery, the artist has begun to create a register of contemporary black visual artists.
James Casebere’s latest photographs show the modernist homes of Luis Barragán alluringly yet threateningly devoid of people or any signs of human habitation.
“They must die!” boutique hotel mogul Vikram Chatwal allegedly screamed at Molly and Finn, the Jack Russell terriers of gallerist Sean Kelly, before pulling out an aerosol can and lighter and attempting to torch the poor pups.
Work becomes play in Peter Liversidge’s Twofold installation, though its proposals read so formally: “I propose to drop two hundred and fifty thousand 1 cent coins on the floor of the main gallery space.”
Antony Gormley has consistently plied a practice that’s about articulations and permutations of the human body, often fabricating his forms in materials that can withstand the vicissitudes of the natural environmental.
On Tuesday, the poet, actor, photographer, and makeup artist James R. Miller filed a lawsuit against the Robert Mapplethorpe Foundation, claiming copyright to four photographs that have been shown and sold for decades as Mapplethorpe’s work.