As long as museums make representational rather than structural changes, they cannot shake off their white supremacist origins.
The American Struggle is now in Seattle, where the painter spent his final decades.
While American collections of East Asian art have grown tremendously, the specialized conservation laboratories that maintain these collections have not.
SEATTLE — The Seattle Art Museum (SAM) attempts to confront the nuanced subtext of its vast collection of African masks in the ambitious and delightful exhibition Disguise: Masks and Global African Art.
Recent criticism of The Plains Indians: Artists of Earth and Sky, which closed recently at the Metropolitan Museum of Art, sheds light on the many issues that arise when mainstream art museums present Native American art.
SEATTLE — I believe what Wallace Stevens said: a mythology reflects its region. So in moving from New York City to Seattle in 1995, I was doubly anxious, knowing neither the region nor its mythology.
The great Italian Renaissance artist Michelangelo ate fish and bread like most everybody else.