At first glance, Sue Yon Hwang’s paper statues look like misplaced monoliths: totemic, ritualistic, and ancient.
Noh Sangho asks if the terms of eye-catching, short-lived virality were not so different in the 16th century as they are now.
An exhibition at ICP at Mana showcases the pictures made by Han Youngsoo upon returning from the front line.
Exhibitions in Seoul devoted to Wook-kyung Choi and Yong-Ik Kim give a sense of Korean artists’ vibrant responses to the monochrome Dansaekhwa movement of the 1970s.
On Monday Bartomeu Marí, the former head of the Museu d’Art Contemporani de Barcelona, began his new job as head of South Korea’s National Museum of Modern and Contemporary Art, marking the first time the museum has had an official director in over a year.
In mid-December, the district of Gangnam in Seoul will unveil a large bronze sculpture depicting the overlapping fists that are part of the “Gangnam Style” video’s iconic horse-riding dance.