Initially released in 2018 but never getting a proper run in the US, Sergei Loznitsa’s Donbass now finally comes to theaters.
Sergei Loznitsa
The Post-Communist Cinematic Landscape of Eastern Europe
Sergei Loznitsa’s expansive filmography is a great entryway to films from Ukraine, Poland, Russia, and more which grapple with the legacy of the Warsaw Pact.
Excavating Rare and Suppressed Footage of the Soviet Era
MUBI gets Back in the USSR with a streaming series featuring archival documentaries by Sergei Loznitsa.
Honoring the Art of the Archival Film
At the International Documentary Film Festival Amsterdam, the Re-Releasing History program presented a dazzling array of movies built from found footage and more.
Curious and Notable Documentaries From the Toronto International Film Festival
While most buzz tends to focus on future awards contenders, some great nonfiction comes out of TIFF every year. Here’s a guide to some of Hyperallergic’s favorite docs from the festival.
A Chronicler of Soviet and Post-Soviet Life Blurs Fact and Fiction
At the Museum of the Moving Image’s First Look festival, audiences will get to see different sides of Sergei Loznitsa, who examines the past, the present, and where they intersect.
In Berlin, a Celebration of Soviet Might Takes on Nationalist, Pro-Russia Overtones
In his documentary Victory Day, Ukrainian director Sergei Loznitsa unflinchingly captures a ceremony in Berlin commemorating the Soviet defeat of the Nazis.
The Banality of Concentration Camp Tourism
We are attracted to the places where bad things have happened, but we rarely reflect on what actually occurred therein.
When a Political Movement Becomes a Monument
Around the world, the aesthetic of revolt flows unabridged, immediate, and jittery, the revolution in any room. Which makes Maidan, Sergei Loznitsa’s unblinking and stirring documentary of last year’s Ukrainian protests that ended in the ouster of President Viktor Yanukovych seem like even more of a formal, rigorous outlier.