New York City’s second big week of art fairs, Frieze Week, has become almost as dauntingly vast as its first, Armory Week, but we’re here to help!
Have you finally recovered from Armory Week? Are you ready to do it all again? Too bad, because it’s Frieze Week in New York City!
Despite the best efforts of art critics and reporters, it remains inadvisable to talk about any art fair as an exhibition, or a precisely curated experience. They’re more like avalanches of information from which viewers can filter out their own message, in the manner of an aesthetic Ouija board. However, if there is one fair in Miami that most resembles an exhibition, it’s SEVEN, which collects a group of (you guessed it) seven independent-minded New York galleries.
Lolcats stopped by the office today and asked the staff if they could write a review of a show. It was Friday and we thought … why not!?
One art fair that up until now has so far been a Miami-only venture, Seven, will be coming to Williamsburg.
Earlier this month, I sent out a call for comments on #Rank, a project created by artists William Powhida and Jennifer Dalton, who were the masterminds behind #Class (Winkleman Gallery, February 2010).
The following are the responses we received from across the country and around the world. Some are by event participants, while others from observers (both in Miami and remotely). They represent various perspectives on#Rank (with minimal editing and in no particular order).
Also, tonight there is a post-Miami #Rank discussion (6-9pm) at Winkleman Gallery for those who would like to continue the discussion.
How many of the estimated 46,000 artists, dealers, collectors, and lookyloos that checked in at Art Basel Miami Beach actually made the 35-minute car trip from the stunning South Beach to industrial Wynwood for the Seven Art Fair is still unclear.
Seven was to Basel what Independent New York was to the Armory Show. An art fair (ok fine, temporary exhibition forum), yes, but set up as a museum-like display rather than sales booths, more concerned with theme and content than commodity object. Curatorial considerations made intelligent relationships between artists from different galleries, instead of an “art world greatest hits.” Because of the elimination of sales booths, the pressure was off. Here, dealers seemed to be interested in discussing ideas.
We’re collecting reactions to last week’s #Rank event at the Seven Art Fair. Did you attend? Lead an event? Stumble upon it? Watch the livestream or follow it via Twitter? Which ever way you noticed it or tuned in, I want you to share your comments or story for a post later this week as we reflect on what it was all about.
SUBMIT YOUR COMMENTARY HERE
The vibes being sent up North from Miami to the now-snowy climes of New York City over the past week have carried with them a message: the contemporary art market may just be back into something like its previous swing.
Gleaned from tweets, news pieces written from flashy parties and a newfound sense of optimism, is this intuition of market return reality, or just self-fulfilling prophecy? Check out a collection of picks, pics, links and insights into Art Basel Miami Beach 2010 below.
We already warned you, so it should be no surprise that Paul Steen’s art world-ized open source video game based on Assault Cube, but injected with 150 of the “most important living artists” according to Artfacts.net, is awesome.
In his virtual world you can roam PS1 or the Istanbul Biennial or at a Jeff Wall show at the Kunstwerk in Berlin gunning down famous artist to win the game. This isn’t a kumbaya game, people. You need to kill to win.
But I have to admit that there’s nothing more fulfilling than reading “Damien Hirst fragged Jasper John.” Download the “Art Assault” modification here: paulsteen.se/aa.html And enjoy!