In The Seventh Continent, installations don’t so much play off one another as lead to a feeling of fatigue, as one ponders a stream of disparate weighty topics in rapid succession.
It’s been about a hundred years since Kazimir Malevich supplanted all imagery in painting with iconic shapes that point not to this world but to one he thought would come.
Out across the pond, there’s an art fair going on. Only slightly overshadowed by the Ai Weiwei Turbine Hall installation debacle, London’s Frieze Art Fair has been soldiering on nonetheless to bring collectors to the art, and vice versa. We’ve combed over the internet to bring you some impressions of the fair, the quality of the work on display, and the possibility of a newly invigorated market. Optimism still hasn’t frozen over!
This past weekend was the annual Frieze Art Fair, held in London. Featuring over 150 galleries from all the best Western nations (and maybe a few others), the Frieze Art Fair is one of the largest and most notable in the world. This was my first outing to Frieze, and people keep asking me “How was it?” I think “how it was” can best be summed up as the top 5 parts of Frieze I actually remember (presented here in no particular order).