Unlike MoMA’s Marina Abramovic check-in badge, the Whitney’s new Foursquare collaboration is no joke. After using your smart phone to check in to the museum twice, plus once at a site pulled from the Whitney museum’s history, users will receive the “Whitneyphile” badge, which also grants holders a $5 ticket to the museum.
Los Angeles-based artist James Gilbert has been exploring the nature of privacy online with Tweeted, Googled and Inappropriately Touched. The cleverly named series incorporates smaller sub-projects, like “Privacy Is Dead Because We Said So, 2.0” (2010), which is included in #TheSocialGraph.
As part of the Brooklyn incarnation, Gilbert asks participants who would like to take one of the hundred hand-sewn plastic undergarments home to agree to the following conditions, including promising not to sell them, to post a photo with them online on some form of social media, and to send us the link. The images we’ve received (and posted on our tumblelog) portray everything from the very mundane shots of people holding them up to the definitely NSFW (see images here).
This is the second in a series of interviews with artists, writers, and personalities involved with #TheSocialGraph, which opens today (November 12, 6-9p). For more information, visit hyperalleric.com/thesocialgraph.
Jennifer Dalton stepped right into the heart of New York’s social media art movements when she, along with artist William Powhida, organized #Class at the Winkleman Gallery earlier this year. The exhibition was as much a social media event producing a constant stream of Facebook content, Twitter conversations, livestreams, and Flickr images, as a IRL one.
Since then she has completed “What Are We Not Shutting Up About? (Five Months of Status Updates and Responses from Jerry Saltz’s Facebook [Profile] Page)” (2010), which she exhibited this past summer at the FLAG Art Foundation. I interviewed her in July about that social media profile turned art work and she talked about the reasons she makes art …
First MoMA acquires “@” and now the Library of Congress (aka @librarycongress) is acquiring every tweet since March 2006. It’s always great to see institutions look past the monetary value of things and elevate the bonds we all share. So, next time someone luddite asks you “Who do you think is interested in what you had for breakfast?” You can confidently respond, “The Library of Congress, asshole!”