Posted inArt

Without Mercy: The Bitter Comix of Anton Kannemeyer

In 1986, South Africa was still eight years away from the end of apartheid, and though opposition to the racist ruling system had been mounting for decades, the government continued to suppress rebels and dissidents. Yet that same year, the exiled Afrikaner writer and artist Breyten Breytenbach, a vocal critic of apartheid, returned to South Africa to accept a literary award. It was his first visit to his homeland after being granted early release from a nine-year sentence there on charges of terrorism.

Posted inArt

District 9 Movie Prop As African Fetish Object

MIAMI — With all the visual overload and glimpses between suited shoulders it’s hard to find something that resonates amongst the Lego blocks of art fair booths at the main fair of Art Basel Miami Beach. With over 260 galleries and over 2,000 artists of which I probably saw half and absorbed a twentieth, it feels like an accomplishment to come away with an artwork that truly resonates days after.

Posted inArt

Art From The Developing World: A Bargain Basement?

Artists who live and make work in regions that have little to no art infrastructure often have the freedom to be creative, experimental and reactive without the boundaries that accompany exhibiting work in formal spaces. But there’s also a significant divide between achieving a sustainable art career at home and reaching the point of exhibiting and selling one’s work in the global art market.