At Southern Exposure in San Francisco, South Asian, Southwest Asian, and North African artists evoke the challenges they face in celebrating their cultural origins.
SAN FRANCISCO — Follow a major social movement today, and unless you can afford to travel onsite, you’re likely to experience it through photos, hashtags, and video uploads. But a movement’s record has always had global resonance, distributed through a mix of broadcast and pre-internet forms of citizen media like pamphlets, posters, and zines.
SAN FRANCISCO — On a blustery, sunny Sunday afternoon, some 40 or 50 people gathered on a quiet road in nowheresville, 45 miles south of San Francisco in a quasi-industrial area of Fremont, to “celebrate the essence of NUMMI.”
A lot has changed since novelist and physicist C.P. Snow’s assertion in the 1960s that Western intellectual life was split between two irreconcilable cultures: the arts and the sciences. Around that time, Experiments in Art and Technology (E.A.T.) was just beginning its efforts to bridge those two spheres. Fifty years later, Carnegie Mellon University’s Miller Gallery has made a significant contribution to representing and documenting where the relationship between art, science, and technology stands with the exhibition Intimate Science and the related book New Art/Science Affinities.