Collaboration in Marcelle’s work pursues ambiguity and disorder in order to destabilize hierarchies of race and class.
The investigation represents the first step of a process to return the works to families and descendants of those who originally owned them.
Motion lionizes the personal automobile as an objet d’art of unparalleled cultural influence while minimizing its negative effects. Oh, and it’s sponsored by Volkswagen and Cadillac.
The discovery confirms that it’s not the length of the history that matters, so much as its breadth.
Carlos Bunga’s architectural installation in the Reina Sofía’s Crystal Palace creates the facade of stability and strength yet is actually ephemeral and even fragile.
Civil Guard agents raided a warehouse near Valencia that housed hundreds of specimens of endangered animals, including at least one extinct species.
Though masks are popularly conceived of as limiting expression, they allow their wearers to access a range of emotionality, of which the human face alone is incapable.
The Madrid museum collaborated with a fragrance company to create ten scents of items seen in the masterpiece “The Sense of Smell.”
Penélope Cruz and Milena Smit play two new mothers from very different backgrounds in the Spanish director’s latest study in female interiority.
This weekend, artist Lorenzo Bussi collaborated with cleaning workers to protest poor working conditions and low pay at the glitzy contemporary art museum.
A show at the Prado valorizes cross-cultural flows while muffling ruptures, and two contemporary art exhibitions critique Hispanic legacies to investigate how art history occludes power.
To showcase this work exactly 500 years after Magellan’s conquest of the Philippines in a space that, 134 years ago, was a “human zoo” of Indigenous people from the Philippines, is certainly poignant.