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Haroutiun Galentz: The Form of Colour
A new English-language monograph repositions the Armenian–Lebanese painter as a cosmopolitan modernist whose work demands to be read beyond national canons.
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A new English-language monograph repositions the Armenian–Lebanese painter as a cosmopolitan modernist whose work demands to be read beyond national canons.
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Sessions include resident presentations, open studios, and the acclaimed Visiting Artist & Writer program. Applications are open for early 2027.
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Through themes of encoding, looping, and sampling, “Video Craft” brings the craft roots of emerging film technologies into focus. Now on view in San Francisco.
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As the lake’s ecological crisis worsens, the artist’s new site-specific installation in Salt Lake City renders audible what is increasingly at risk of vanishing.
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As she concludes her term as the university’s Distinguished Chair in Photography, Nielsen’s “light paintings” are on view this spring in West Hartford, Connecticut.
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The Center for Craft will award up to four $5,000 fellowships to support research on underrepresented craft histories, culminating in an article on Hyperallergic.
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In partnership with Art Bridges, the Visual Arts Center of New Jersey presents works by Will Wilson alongside historic photographs by Edward Sheriff Curtis. On view through August 23.
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Earn your PhD in Art Theory, Aesthetics, and Philosophy with the Institute for Doctoral Studies in the Visual Arts (IDSVA).
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This exhibition at Haverford College’s Cantor Fitzgerald Gallery is the first comprehensive retrospective of the pioneering feminist, filmmaker, photographer, and performance artist.
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The fair will bring together 80 exhibitors and an expanded focus on drawings in a nod to the medium’s long-standing relationship with printmaking.
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African American art history has often been underrepresented. “Reimagine African American Art” invites visitors to discover transformative works across two centuries.
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The only US presentation of this exhibition by renowned artists Basel Abbas and Ruanne Abou-Rahme is on view at The Bell Gallery, Brown University.