In an age when everything is called into doubt, Squeak Carnwath’s concern with seeing carries a deep urgency.
How do we experience eco-art online and what might it suggest about the nature of the digital gallery experience?
Carnwath’s paintings are true barometers of the world after the 2016 presidential election.
Squeak Carnwath’s exhibition, What Before Comes After, at Jane Lombard is the artist’s first with the eponymous gallery (formerly Lombard Fried) and her first in New York since 2000.
In July 2006, during a conversation we had in her studio, Squeak Carnwath made a series of statements that have stayed with me, beginning with: “I am a painting chauvinist.”