• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Squeak Carnwath

Posted inArt

“Do We Still Recognize Ourselves?”

by John Yau May 5, 2022May 5, 2022

In an age when everything is called into doubt, Squeak Carnwath’s concern with seeing carries a deep urgency.

Posted inArt

Nature as Filtered Through a Screen

by Louis Bury June 27, 2020November 5, 2020

How do we experience eco-art online and what might it suggest about the nature of the digital gallery experience?

Posted inArt

A Painter for Our Times

by John Yau March 2, 2019March 4, 2019

Carnwath’s paintings are true barometers of the world after the 2016 presidential election.

Posted inArt

Squeak Carnwath’s Guilt-Free Zone Is Our Space

by John Yau November 1, 2015November 17, 2015

Squeak Carnwath’s exhibition, What Before Comes After, at Jane Lombard is the artist’s first with the eponymous gallery (formerly Lombard Fried) and her first in New York since 2000.

Posted inArt

Weekend Studio Visit: Squeak Carnwath in Oakland, California

by John Yau January 19, 2014January 23, 2014

In July 2006, during a conversation we had in her studio, Squeak Carnwath made a series of statements that have stayed with me, beginning with: “I am a painting chauvinist.”

Popular

  • You've Heard of Wordle, But Have You Tried "Artle"?
  • Ukrainian Soldiers Unearth Ancient Greek Amphorae During Trench Dig
  • Margaret Thatcher Statue Egged Within Hours of Unveiling
  • Greece and UK Agree to Formal Talks Over Parthenon Marbles
  • Highlights From Columbia University's MFA Thesis Exhibition
Sponsored
  • Triennial of Photography Hamburg Reflects on Currency
  • NOMA Presents Katherine Choy: Radical Potter in 1950s New Orleans
  • ArtYard’s Ecstatic Decrepitude Features Works by Bread and Puppet Founder Peter Schumann
  • Discussion Series Pairs 2019 McKnight Visual Artist Fellows With Critics and Curators
  • Alternate Realities: Altoon, Diebenkorn, Lobdell, Woelffer Opens at the Norton Simon Museum
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy