In relocating the Jane Austen classic to a contemporary vacation haven, Fire Island explores intersecting issues of race and class in the gay community.
End of the Line captures five years of failed efforts to fix the city’s disastrously bad train infrastructure.
The Janes interviews former members of Chicago’s underground network that helped people secure abortions.
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
The extensive Netflix docuseries, based on Warhol’s memoirs, won’t fully satisfy either casual viewers or fans of the Pop icon.
Director Christine Turner explains to Hyperallergic how her documentary short interrogates the white gaze and seeks to reaffirm some ugly truths about the past.
In the wake of the film’s nomination for the Best Documentary Feature Oscar, Stanley Nelson and Traci Curry speak to Hyperallergic about the uprising’s ongoing relevance.
The gargantuan three-part documentary follows the famous, controversial rapper for 20 years, capturing his brilliance and contradictions.
Using magical realism and never taking the expected approach, Georgian director Alexandre Koberidze asks viewers to take more notice of the world around them.
With The Matrix Resurrections, writer/director Lana Wachowski critically examines how our understanding of gender and identity has changed since the original trilogy.
The filmmaker talks to Hyperallergic about the second season of his HBO show How To with John Wilson and going down every rabbit hole he can find.
Acclaimed director Jane Campion returns to film with an all-star cast featuring Benedict Cumberbatch, Kirsten Dunst, and more.