Posted inOpinion

We Need a Campbell’s Soup Can Moratorium

i call a moratorium on campbell’s tomato soup can related street art. enough is enough. not original anymore in the slightest. please stop.less than a minute ago via web Favorite Retweet Reply

Ok, we’re all Andy Warhol Campbell’s soup can’d out. We don’t care if he’s the only artist that you can cite in an art-related conversation or if he IS the art market anymore. We want people to stop riffing off his can paintings. Others are tired of hearing him mentioned at every turn (like at the Guggenheim) but we’re simply exhausted with the endless number of imitators on the streets of New York & everywhere else.

Posted inOpinion

Banksy on Osama in 2010

Vandalog’s RJ reminds us about a Banksy piece from last year … also, Osama’s compound already on Google Maps … and links to street art about Osama.

Posted inArt

Pantheon Puts Street Artists Behind Glass

Across the street from the Museum of Modern Art at West 53rd Street is an exhibition that might be unexpected for those expecting only Van Goghs and Picassos. Pantheon: a history of art from the streets of NYC is an attempt to create solidified narrative of street art history, to pin down this ephemeral art form into something more lasting, and more didactic. The team behind Pantheon, including co-curators Joyce Manalo and Daniel Feral, have put street art behind glass, creating a visually striking display that actually manages to insulate the art from the viewers, divorcing street art from its natural context. Though this art is visible from the street through the space’s huge plate glass windows, this is not street art in its most literal (and historical) form.

Posted inArt

Happy Earth Day … from the Archives, 1983

Artist John Fekner recently found this previously unpublished photograph of a subway billboard street art piece from 1983. This work transforms a Newsday newspaper poster in the Ely/23rd Street subway station in Long Island City, Queens, into a more ominous scene. Unlike street art interventions today, Fekner’s work disappeared soon after it was created — he estimates that it survived for a week or two at most — and it did not have an afterlife online … until now.

Posted inArt

Everyone Wants to be First

There is apparently something about institutional street art shows that move museum folk towards declarations of their firstness. Street Art at the Tate Modern in 2008 was billed as “the first major public museum display of Street Art in London” while just last winter Hugh Davies, Director of the Museum of Contemporary Art in San Diego, glowed that he was “really proud” to be “the first (American) museum to do an international street art show of this scale and scope.”

Art In The Streets, the latest and of course much buzzed exhibition opening at Los Angeles’s Museum of Contemporary Art is billed by MOCA Director Jeffrey Deitch as — surprise surprise — “the first exhibition to position the work … from street culture in the context of contemporary art history.”

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