When it comes to the word “diversity,” what are we really referring to?
Stuart Comer
Posted inArt
Confronting Our Existential Dilemmas in a Live-Simulated Fantasy World
For Emissaries, Ian Cheng designed three self-playing video games that take place on a fictitious volcanic island.
Posted inArt
Texting at the Whitney Biennial
Adam Weinberg, the director of the Whitney Museum of American Art, was candid in his opening day remarks when he commented that the Biennial had in the past been thought of — or was criticized for not being — a representative snapshot of American art.
Posted inArt
Whitney Biennial 2014: Stuart Comer on the Third Floor
On the third floor, 2014 Whitney Biennial curator Stuart Comer professed to “provide a kaleidoscopic glimpse of this historic moment,” emphasizing work that seemed in flux and in transition from one medium to another, one state to another, or even across borders and identities.
Posted inArt
Whitney Biennial 2014: Where Have All the Politics Gone?
The 2014 Whitney Biennial has many things: oversized ceramics, big abstract and figurative paintings, experimental jazz, videos of people having sex, and bead curtains. What it doesn’t have all that much of is politics.
