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Hyperallergic

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Supports/Surfaces

Posted inArt

The Pursuit of Art, 2014

by Thomas Micchelli December 27, 2014December 30, 2014

The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.

Posted inArt

A Supports/Surfaces Moment: Contradictions, Paradoxes and Other Ironies

by Gwenaël Kerlidou August 23, 2014August 29, 2014

For those who have been watching the critical misfortunes of Supports/Surfaces on the New York art scene over the years, it is a welcome surprise that, after decades of relative indifference, the movement finally seems to be getting some deserved attention.

Posted inArt

“Against the Art World and the World in General”: Painting as Radical Critique

by Thomas Micchelli June 21, 2014August 20, 2014

“Support” and “surface” mean the same thing in French as they do in English, an accident of language that mirrors the immediacy of Supports/Surfaces, a self-titled exhibition of paintings, sculptures and category-skipping hybrids from a little-known art movement based in the south of France.

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