Lacy’s work is more about making connections than providing content and it is still realized in the act of bringing people together, physically.
Teens are dancing to messages from their abusive exes, continuing the legacy of artists like Ana Mendieta and Suzanne Lacy.
In Against Our Will, Vivien Green Fryd makes a convincing case for the need to examine artworks through the lens of sexual trauma, a violent reality that unfortunately spans across gender, ethnicity, race, and time.
What struck me most in moving through the arc of Lacy’s career is what varied and thoughtful work she’s produced decade after decade, no doubt the result of her preference for collaboration.
In this exhibition contemporary artworks are paired with works that have been destroyed or lost to the annals of art history.
Conversations in Social Practice Art presents a diverse range of approaches to art that prioritizes social engagement.
Founded by two real estate developers, the Main Museum is a non-collecting institution concentrating on Los Angeles artists.
“For me to be really interested in a work of social practice, it has to have political implications that have meaning for that community.”
MINNEAPOLIS — I have to admit, I was a little wary of going to see an art exhibition that I presumed would consist of leftovers from a one-off, amazing, artist-led dinner, a show littered with lengthy documents about a great event I missed.
After two years of protest, Frieze New York, the American offshoot of the London fair launched by the founders of the British magazine Frieze 11 years ago, will be employing union labor — in part this year and in full in 2015 and 2016.
LOS ANGELES — How many literary readings involve a faux-gorilla dancing with a palm leaf and bunch of balloons? Or a megaphone? Or someone tossing handmade zines into the audience with abandon? Artists Read Baldessari was this type of event.