Art
Sylvia Plimack Mangold Turns Trompe L’oeil Inside Out
Rather than trying to fool us with her representational paintings or showing off her virtuosity in the realm of resemblance, everything is on the surface.
Sylvia Plimack-Mangold
Art
The History of a Printmaking Workshop for Women Artists, From Elaine de Kooning to Faith Ringgold
From 1984 to 2012, printmaker and professor Nancy Campbell ran the Mount Holyoke College Printmaking Workshop, where women artists like Kiki Smith and Vija Celmins produced remarkable prints.
Art
Sylvia Plimack Mangold’s Spring and All
I cannot think of another artist devoted to nature who chooses such unlikely, decidedly plain, almost unsightly views, but never makes that act the point of the painting.
Art
Sylvia Plimack Mangold Has the Floor
Plimack Mangold’s floor and ruler paintings are smart, tough, assured, direct and, more than forty years after she did them, they remain challenging: works in which she literally and figuratively cleared a space for herself in ways that have yet to be fully recognized.
Art
Can I Get a Witness? Working from Observation
Steven Harvey Fine Art Projects is a long and narrow space, somewhere between a bowling alley and a railroad apartment, on the Lower East Side. It is within this rather confined space that Marshall Price, curator at the uptown National Academy of Art, installed eleven paintings by artists committed
Art
Why There Are Great Artists (Part 3)
The rigorous parameters that Sylvia Plimack Mangold established in her earlier bodies of work (the floor paintings and the landscapes framed by “tape”) continue to inform her paintings of individual trees (specifically the maple, elm, locust, and pink oak), which have been focus of her attention sin
Art
Why There Are Great Artists (Part 2)
Before writing about Sylvia Plimack Mangold’s shift from interiors to landscapes, I think it is useful to once again consider the floor paintings, which she worked on for about a decade, beginning in 1967. It is in these paintings that the artist defines an approach to subject matter from which she
Art
Why There Are Great Artists
The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16–April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as "F