On Tuesday, the Institute of International Education announced a three-year pilot program that will provide artists “who face persecution in their home countries” with fellowships at universities and art centers “in countries where they can safely continue their work.”
Tania Bruguera
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Artist Tania Bruguera Temporarily Detained During the Havana Biennial
Artist Tania Bruguera was detained by Cuban police yesterday in her Havana home after concluding the final reading of her project, the Hannah Arendt International Institute for Artivism.
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At the Crossroads of the World, a Dissident Cuban Artist Is Almost Heard
In the glare of the afternoon sun and the LED screens of Times Square, an unassuming woman with thick glasses and a rolling wave of gray hair stood on a soapbox and spoke, as another woman held a white dove over her shoulder.
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Politics and a Performer Hidden Inside a Gallery’s Walls
CHICAGO — A gallery at the Chicago Artists Coalition currently holds more than just a few pieces of art.
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How Tania Bruguera’s Free Speech Performance Was Mishandled, and Misreported, in Cuba
At 3pm on Tuesday, December 30, Cuban artist Tania Bruguera’s participatory performance “Tatlin’s Whisper #6” was scheduled to take place in the Plaza de la Revolución in Havana.
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Artist Tania Bruguera Allegedly Detained in Cuba Over Public Performance [UPDATED]
The artist Tania Bruguera has likely been detained by Cuban authorities who prevented her from staging a performance yesterday in Havana’s Plaza de la Revolución, according to multiple media reports and the artist’s sister.
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At the Guggenheim, Three Critical Takes on Latin America
Let’s start by saying, just in case it’s not obvious, that there’s something nearly impossible about conceptualizing and mounting a show as wide in its thematic and geographic scope as Under the Same Sun: Art from Latin America Today, curated by Pablo León de la Barra.
Posted inBooks
What Tom Finkelpearl (and Many Others) Made, and Might Make
There’s been so much hemming and hawing about “social practice” art in the past few years, it’s a little painful to even say, or type, the phrase. So, it felt a little odd to be picking up a fairly lengthy book on the topic, What We Made: Conversations on Art and Social Cooperation. But the number one reason I was intrigued by this volume is the person who put it together: Tom Finkelpearl.