On Tuesday, the Institute of International Education announced a three-year pilot program that will provide artists “who face persecution in their home countries” with fellowships at universities and art centers “in countries where they can safely continue their work.”
Artist Tania Bruguera was detained by Cuban police yesterday in her Havana home after concluding the final reading of her project, the Hannah Arendt International Institute for Artivism.
In the glare of the afternoon sun and the LED screens of Times Square, an unassuming woman with thick glasses and a rolling wave of gray hair stood on a soapbox and spoke, as another woman held a white dove over her shoulder.
CHICAGO — A gallery at the Chicago Artists Coalition currently holds more than just a few pieces of art.
At 3pm on Tuesday, December 30, Cuban artist Tania Bruguera’s participatory performance “Tatlin’s Whisper #6” was scheduled to take place in the Plaza de la Revolución in Havana.
The artist Tania Bruguera has likely been detained by Cuban authorities who prevented her from staging a performance yesterday in Havana’s Plaza de la Revolución, according to multiple media reports and the artist’s sister.
Let’s start by saying, just in case it’s not obvious, that there’s something nearly impossible about conceptualizing and mounting a show as wide in its thematic and geographic scope as Under the Same Sun: Art from Latin America Today, curated by Pablo León de la Barra.
There’s been so much hemming and hawing about “social practice” art in the past few years, it’s a little painful to even say, or type, the phrase. So, it felt a little odd to be picking up a fairly lengthy book on the topic, What We Made: Conversations on Art and Social Cooperation. But the number one reason I was intrigued by this volume is the person who put it together: Tom Finkelpearl.