Rego’s women are always independent spirits, and they are often raging.
As the Turner Prize-nominated duo Cooking Sections forcefully reveals, it’s not just salmon that are changing color due to harmful agricultural techniques.
Looking at Yiadom-Boakye’s portraits is an act of slow discovery, the unveiling of a mystery.
A show at Tate Britain underscores Turner as the great recorder of elemental disorder and industrial pollution on the grand scale.
Unveiled just ahead of the holiday, Chila Kumari Singh Burman’s installation is sure to leave Londoners with a sense of warmth and light amid the gloomy winter months.
Although Beardsley was foremost a decorative illustrator, he depicted the physically monstrous and assorted polymorphous perversities.
No exhibition of any pretension is complete without lasting proof of its existence, preferably in print on coated paper.
The political, dynastic, and religious machinations of this era should have provided ample material for a meaty exploration of the relationship between art and power.
Blake was received by his contemporaries as either extremely odd or completely mad or perhaps both.
The collection of 60 women artists from Tate’s permanent collection, on view through April 2020, tackles the tricky terrain of museum representation.
Museum researchers are restoring the artist’s hidden, luminous spectrum of colors that have faded over time.
The Pre-Raphaelite artist mixed horror and decadence to create a feeling of unnaturalness.