A corrective to the sculptor’s self-aggrandizing, The Making of Rodin draws attention to the hidden figures who made his work possible.
Tag: Tate Modern
Posted inArt
Standing Inside Yayoi Kusama’s Mind
How much of the effect is the object reflected, or the reflection of the object?
Posted inArt
What Is Bruce Nauman for?
It is neither easy nor especially relaxing to spend time with Nauman.
Posted inNews
A Very Duchampian Protest Action at Tate Modern
A curious sign in a bathroom at Tate Modern was created to protest lay offs at one of the UK’s biggest museums.
Posted inNews
Teenager Who Threw Child From Tate Modern Balcony Is Sentenced to 15 Years
A British 18-year-old pleaded guilty to one count of attempted murder and admitted to premeditating the attack.
Posted inBooks
What Are Exhibition Catalogues for?
No exhibition of any pretension is complete without lasting proof of its existence, preferably in print on coated paper.
Posted inArt
My Argument With Andy Warhol
It’s all slightly depressing that we can’t seem to get rid of the Warhol itch.
Posted inFilm
The Disturbing, Enthralling, Pitiless Steve McQueen
The serious-minded artist-cum-filmmaker is enjoying a full retrospective at Tate Modern.
Posted inNews
Man Vandalized a Picasso Portrait of Dora Maar at Tate Modern
Shakeel Massey, a 20-year-old from north London, was arrested for allegedly ripping the $26 million painting. The damage to the artwork is being assessed by a Tate conservation team.
Posted inArt
The Raucous and Frenetic Energy of Nam June Paik
As a recent retrospective at Tate Modern demonstrates, even fitted with decades-old circuitry, Nam June Paik’s work still pulses with energy, breakneck and experimental.
Posted inNews
Kara Walker Satirizes Britain’s Public Sculptures with a Monument to Trans-Atlantic Slavery
Kara Walker upends the Tate Modern with a massive fountain, renewing the debate about the nature of public monuments in the heart of violent empire.
Posted inArt
Kara Walker’s Monument to Monstrousness
Can the enduring presence of such monuments among us still have the power to reinforce deep-rooted prejudices, by the very fact that they have simply not gone away?