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Posted inArt

Tracing a Lineage of Tech-Minded Women Artists

It’s hard now to go more than a couple months without stumbling across another exhibition showing “artists [who] question the boundary between art and technology.” It’s enough to make you never give another crap about the boundary between art and technology. But I’m not sure the artists involved in such shows really do either — at least not the ones in Coded After Lovelace.

Posted inArt

Is the World Now Ready for Computer Art Pioneer Manfred Mohr?

BRIGHTON, UK — The difficulties facing post-war German artists can seem insurmountable. And it may not be fair to the likes of Beuys, Kiefer, or Richter to look for an adequate response to the worst atrocities of WWII; we should surely share the guilt around. But a lesser-known artist from Pforzheim has apparently cracked the worst dilemmas facing his countrymen. His name is Manfred Mohr and he has maneuvered German art out of its cul-de-sac with a healthy dose of logic and a working knowledge of early computer technology.

Posted inArt

What’s Wrong With Technological Art vs. the Maker Faire

“What’s Wrong With Technological Art?” was the vexing question posed by the tony New Museum panel assembled by Megan Heuer featuring Heather Corcoran, the new executive director of Rhizome, and art historians Judith Rodenbeck, and Gloria Sutton. The event indadvertedly dove tailed with the recent September Artforum issue about the frayed divide between the art world and technological art. The bon mot award for the evening came from rehashing the 1967 quote of Philip Leider, editor of Artforum, who once penned the uber snarky statement, “I can’t imagine Artforum ever doing a special issue on electronics or computers in art, but one never knows.”