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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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textile art

Posted inArt

Eco-Feminist Art Collective Protests UN Climate Summit with Textiles

by Billy Anania November 15, 2021November 15, 2021

Founded by Dora Napolitano in 2016, Zurciendo el Planeta planted its “Forest of Hope” international embroidery project in art spaces across Glasgow during COP26.

Posted inComics

The Story of Kunihiko Moriguchi, a Master Kimono Painter

by Nathan Gelgud November 14, 2021November 15, 2021

Moriguchi, who studied in Japan and Paris, took the influence of Op art and applied it to the traditional art of kimono painting.

Posted inArt

Maria Guzmán Capron’s Deliciously Tactile Fabric Figures, or “Hot Aliens”

by Lauren Moya Ford October 12, 2021October 12, 2021

Capron says her creations reflect herself and her immigrant, Latinx community.

Posted inArt

The Transcendent, Spiritual Fiber Art of Lenore Tawney

by Debra Brehmer December 27, 2019December 18, 2019

More than 40 textile works dating from the 1950s to her death in 2007, at age 100, float in the artist’s retrospective at the John Michael Kohler Arts Center.

Posted inArt

The Sensory Tethers You’ll Find in Textiles

by Seph Rodney July 15, 2019

Woven Walls, a tightly curated summer show at Morgan Lehman Gallery, explores a language between the threads of different textiles.

Posted inArt

Textile Artists Weave 21st-Century Stories

by Dany Chan November 8, 2018November 12, 2018

A new exhibit showcases contemporary takes on the millennia-old art of textile-making, from El Anatsui’s shimmering bottle-cap tapestries to Nevet Yitzhak’s renditions of Afghan war rugs.

Posted inArt

Tapestries that Mend the Divides Between Mexico and the US

by Lorissa Rinehart September 11, 2018September 1, 2021

Tanya Aguiñiga’s work results from a lifetime of creating textile pieces from broken and found threads.

Posted inBooks

Anni Albers’s Thoughts on Textiles Loom Large

by Becky Peterson February 21, 2018February 22, 2018

On Weaving offers a model for how to write in a way that incorporates theoretical examination alongside practical content; in it Anni Albers provides valuable — and often overlooked — thoughts on art and creative work.

Posted inArt

After Surviving a Fire, St. John the Divine’s 17th-Century Tapestries Return

by Allison Meier May 15, 2017

After a catastrophic 2001 fire, the 17th-century Barberini tapestries have returned to view at Manhattan’s Cathedral Church of Saint John the Divine.

Posted inArt

Ann Hamilton Pays Tribute to Philadelphia’s Frayed Textile Industry

by Anne Blood October 10, 2016

PHILADELPHIA — Started around 1907, Municipal Pier 9 was built as part of a comprehensive plan to upgrade the Delaware River as a shipping channel.

Posted inArt

Garments from the Graves of Late Antiquity

by Allison Meier February 25, 2016February 28, 2016

Over 50 examples of textile garments and furnishings are on view in Designing Identity: The Power of Textiles in Late Antiquity at New York University’s Institute for the Study of the Ancient World.

Posted inArt

An Exhibition Ponders (and Perpetuates) the Hierarchy Between “Art” and “Craft”

by Janet Tyson January 1, 2016December 31, 2015

LONDON — Losing the Compass, at White Cube in London’s Mason’s Yard, aspires to critique geographical, aesthetic, and other sorts of hierarchies.

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