These assemblages showcase art’s power and, poignantly its limitations, to effect material transformations.
The 8th Floor
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A History of Performance Art as Protest at the 8th Floor
On April 26, Martha Wilson will bring together a slew of artist-activists for a teach-in.
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“This Is a Revolutionary Moment”: Genesis Breyer P-Orridge on Intersectionality in Art
In an interview with Genesis Breyer P-Orridge, s/he attempts to define intersectionality and its tenuous position in the art world.
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#HyperPicks: Gender Fluidity and Feminism
Opening at the 8th Floor, The Intersectional Self considers how an awareness of fluid identities has affected our traditional understanding of gender roles.
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I’d Prefer Not To: ‘Enacting Stillness’ at The 8th Floor
Overall, the work in Enacting Stillness suggests that, contrary to some of the grander claims made about art’s political efficacy, most art intervenes in the world in a more limited, but no less essential, way.
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Artists Share Their Personal, Tragic Experiences in Health and Care
In the small foyer of the 8th Floor gallery, a video shows artist Carmen Papalia with a bullhorn in place of a cane — Papalia, who is blind, beckons those who pass him as he strolls the sidewalk of a busy Vancouver street, making a public declaration of his need to cross.