Mohammad Omar Khalil, whose work often draws inspiration from his homeland, calls black “the richest medium, the richest color for me in all printmaking.”
The Mosaic Rooms
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How Mohamed Melehi Helped Forge a Colorful, Moroccan Form of Modernism
New Waves at the Mosaic Rooms illustrates how Melehi’s painted waves spread across Morocco to create a cultural scene that celebrated tradition.
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Blurring National Boundaries with Fables, Postcards, and Film
Katia Kameli’s exhibition at the Mosaic Rooms is a rich exploration of colonial history and transcultural influences.
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Saturnine Portraits Somewhere Between Damascus and Berlin
LONDON — Pictures by the Damascus-born, Berlin-based artist Marwan Kassab-Bachi are neither Arab nor European, Syrian nor German, but occupy the liminal space that diasporic people find themselves in.
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An Artist Considers the Trauma of His Two Homelands
LONDON — “Nagorno” is a Russian word for “mountain,” while “Karabakh” is a word of Turkic and Persian origin meaning “black garden.” When joined by a hyphen, the two words denote the boiling point of the Caucasus: Nagorno-Karabakh, a disputed enclave — one of post-Soviet Europe’s “frozen conflicts” — that doubles as a mountainous graveyard.
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An Exhibition Brings Us Face to Face with the War on Terror
LONDON — Outside The Mosaic Rooms, a small gallery and cultural center in Kensington, a red and white-striped air sock hangs improbably from the otherwise uniform stone façade.
