Mohammad Omar Khalil, whose work often draws inspiration from his homeland, calls black “the richest medium, the richest color for me in all printmaking.”
The Mosaic Rooms
How Mohamed Melehi Helped Forge a Colorful, Moroccan Form of Modernism
New Waves at the Mosaic Rooms illustrates how Melehi’s painted waves spread across Morocco to create a cultural scene that celebrated tradition.
Blurring National Boundaries with Fables, Postcards, and Film
Katia Kameli’s exhibition at the Mosaic Rooms is a rich exploration of colonial history and transcultural influences.
Saturnine Portraits Somewhere Between Damascus and Berlin
LONDON — Pictures by the Damascus-born, Berlin-based artist Marwan Kassab-Bachi are neither Arab nor European, Syrian nor German, but occupy the liminal space that diasporic people find themselves in.
An Artist Considers the Trauma of His Two Homelands
LONDON — “Nagorno” is a Russian word for “mountain,” while “Karabakh” is a word of Turkic and Persian origin meaning “black garden.” When joined by a hyphen, the two words denote the boiling point of the Caucasus: Nagorno-Karabakh, a disputed enclave — one of post-Soviet Europe’s “frozen conflicts” — that doubles as a mountainous graveyard.
An Exhibition Brings Us Face to Face with the War on Terror
LONDON — Outside The Mosaic Rooms, a small gallery and cultural center in Kensington, a red and white-striped air sock hangs improbably from the otherwise uniform stone façade.