We philosophers love to argue, and so when I say that Thierry de Duve offers a lot to argue with, I mean that as sincere high praise.
Thierry de Duve
‘Joseph Beuys: Process 1971–1985’ at Rooster Gallery
“Socio-economic illumination, enabled by the evolutionary process of thought, was Beuys’ end-goal,” writes Kara L. Rooney in her substantial catalogue essay for Joseph Beuys: Process 1971–1985, the small but ambitious show she’s curated at the similarly disposed Rooster Gallery on Orchard Street.
Sculpture is Dead: Art, Not Suicide (Part 2/3)
At its best, modern art begs the question, “Is this art?” There is a death wish that threads modernity – death of God, death of the author, death of history, even the death of the modernity itself (the post-modern) but perhaps most insistently of all, is the existential interrogation that is modern art.