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Hyperallergic

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Sensitive to Art & its Discontents

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Tomashi Jackson

Posted inArt

Tomashi Jackson Rediscovers Long Island’s Beleaguered Past

by David Carrier September 15, 2021September 21, 2021

Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.

Posted inArt

Four Artists Recall a Year to Forget

Avatar photo by Natalie Haddad January 2, 2021December 31, 2020

Judith Bernstein, Carroll Dunham, Alia Ali, and Tomashi Jackson talk about what got them through 2020.

Posted inArt

In Richmond, Tracing the “Great Force” of American Racism

Avatar photo by Jasmine Weber December 19, 2019December 19, 2019

Taking a cue from James Baldwin, an exhibition considers the way that American racism moves forward — from the arrival of the first ship carrying enslaved Africans to the insidious ways it has trickled through the capillaries of American culture.

Posted inArt

Eight Women Visual Artists Use Duchamp’s Provocation as a Springboard

Avatar photo by Lee Ann Norman May 3, 2019May 2, 2019

Marcel Duchamp’s “The Bride Stripped Bare by Her Bachelors, Even” provides a provocative foundation for an exhibition of female artists who riff on the liminal spaces between ideas and events.

Posted inArt

Using Abstraction as a Political Tool

Avatar photo by Monica Uszerowicz November 29, 2017November 29, 2017

On Documentary Abstraction, a show at ArtCenter/South Florida, asserts that abstraction — in painting, sculpture, and film — can document the sociopolitical zeitgeist.

Posted inArt

How to Embed a Shout: A New Generation of Black Artists Contends with Abstraction

Avatar photo by Seph Rodney August 23, 2017August 23, 2017

A new wave of black abstract artists are exploring ways to push the language of abstraction and still retaining their cultural specificity. And they’re not doing it alone.

Posted inArt

The Linguistic Overlap of Color Theory and Racism

by Risa Puleo December 14, 2016December 13, 2016

Tomashi Jackson found that the language Josef Albers used to describe color perception mirrored the language of racialized segregation.

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