Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
Tomashi Jackson
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Four Artists Recall a Year to Forget
Judith Bernstein, Carroll Dunham, Alia Ali, and Tomashi Jackson talk about what got them through 2020.
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In Richmond, Tracing the “Great Force” of American Racism
Taking a cue from James Baldwin, an exhibition considers the way that American racism moves forward — from the arrival of the first ship carrying enslaved Africans to the insidious ways it has trickled through the capillaries of American culture.
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Eight Women Visual Artists Use Duchamp’s Provocation as a Springboard
Marcel Duchamp’s “The Bride Stripped Bare by Her Bachelors, Even” provides a provocative foundation for an exhibition of female artists who riff on the liminal spaces between ideas and events.
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Using Abstraction as a Political Tool
On Documentary Abstraction, a show at ArtCenter/South Florida, asserts that abstraction — in painting, sculpture, and film — can document the sociopolitical zeitgeist.
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How to Embed a Shout: A New Generation of Black Artists Contends with Abstraction
A new wave of black abstract artists are exploring ways to push the language of abstraction and still retaining their cultural specificity. And they’re not doing it alone.
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The Linguistic Overlap of Color Theory and Racism
Tomashi Jackson found that the language Josef Albers used to describe color perception mirrored the language of racialized segregation.