Posted inOpinion

Required Reading

This week’s Required Reading includes Tracey Emin’s gift to 10 Downing St, you too can levitate in photos, Koons as roadkill, Nike’s swoosh is 40, internet art bubble, evolution of the hipster, autobot aethetics, street art in East Timor & more.

Posted inBooks

A Connected White Hedonist’s Guide to Young British Art

A Hedonist’s Guide to Art may as well be called A Hedonist’s Guide to the Art World. Released last winter, the book is a collaboration between Artica, an eGallery for contemporary art, and Hg2, a series of luxury travel guides. It’s comprised of short essays from about 60 people from various reaches of the upper echelons of the London art world. The essays are divided between five chapter headings — ideas, lifestyle, the market, the art itself and “inner workings.” The content is most often in the form of a personal anecdote. That said, these tidbits are best nibbled on in small doses — it’s slow-going to read very many of these essays all at once.

Posted inOpinion

Tracey Emin Says Her First Abortion was Impetus for Art

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We all knew Young British Artist Tracey Emin isn’t afraid to say what’s on her mind. From making her unmade bed into an art installation to appliqueing the name of everyone she’s ever slept with on a tent, no one can say Emin doesn’t bare it all. In this 1999 interview Emin gets even more personal: she recounts how her first abortion forced her to rethink her artwork.

Posted inArt

Angry Art Letters on the Lower East Side

Ridykeulous, founded by artists Nicole Eisenman and A.L. Steiner in 2005, describes itself as an effort to “subvert, sabotage, and overturn the language commonly used to define feminist and lesbian art,” primarily through exhibitions, performances, and zines. Attacking the marginalization of queer and feminist art as “alternative” cultures, they insist upon participating in mainstream dialogues about art and culture; in adopting the role of curators and organizing exhibitions, Steiner and Eisenman forcefully insert themselves and their collaborators into the spaces, both literally and figuratively, of the art establishment. Though not all of the artists in Readykeulous are female, nor do all identify as queer, they share an interest in disrupting the status quo.

Posted inOpinion

“Duke Fuck List” vs. Tracey Emin

When a female Duke student’s “fuck list” went viral, the entire online world was exposed to her in-depth list of male conquests, a powerpoint presentation of sex that was less sexy than academic. Framed as “thesis research,” the document is so detailed that it actually reads more like research than fun at points.

As a symptom of our always-online generation and the culture of omnipresent social media, the list is another example of oversharing, aptly summed up by as “providing more personal information than is absolutely necessary. Typically done when two or more people are conversing and details of one’s sexual life creep into the discussion.” This immediately sounded familiar. A certain Young British Artist came to mind.