How do you tell the story of an artist whose archive was destroyed? Tyler Green’s new book focuses on a major figure in the early history of photography.
In the last few years the Indianapolis Museum of Art (IMA) has developed a deserved national and international reputation. The IMA’s 100 acre Virginia B. Fairbanks Art & Nature Park, which opened in 2010, is one of the largest contemporary sculpture parks in the world, and one of the only such parks with a commitment to contemporary and non-permanent installation art. The following year, the IMA was chosen to present the US pavilion at the 2011 Venice Biennale, arguably one of the most important art shows in the world. Their 2011 exhibition of outsider artist Thornton Dial represented the first-ever retrospective of his work, and received widespread acclaim, including glowing reviews in the New York Times and Time magazine. These are exceptional accomplishments for any museum, much less one offering free general admission and located in a state whose population is smaller than the five boroughs of New York City — the IMA is simply an anomaly in the United States. And this spring the museum and its new director, Charles L. Venable, are back in the spotlight, but not for more accolades.
Artist registration is open now for the fourth annual ArtPrize. Part art competition, part social experiment, the event overtakes downtown Grand Rapids, Michigan, bringing in hundreds of thousands of visitors from across the country.
Designed to be a simple yet transformative experience for both artist and audience, ArtPrize is a platform on which artists are given absolute freedom to experiment, collaborate and explore new ideas. Artist registration is open at www.artprize.org now through May 24.
This week, Damien Hirst’s global spot challenge, TJ Clark on Leonardo, Cairo’s art scene, Green & Knight on PST, de Kooning conversation, Queer theory, vandalism as art criticism, imagining a drunk gay Jenny Holzer twitterfeed and an Abby Road spoof.
This week’s edition focuses on the de Kooning retrospective at MoMA, some final essays on the 9/11 Museum, an endangered mural in Manhattan, the timeline design of Facebook and Instagram as art.
Could the Dia Foundation lose its lease to the most iconic work of land art ever? The Utah Department of Natural Resources recently informed Dia that it had failed to renew its lease on the land that holds Robert Smithson’s “Spiral Jetty” (1970) in Rozel Point, Utah.
Tyler Green has this incredible story — China is demanding the return of two marble chair sculptures by Ai Weiwei recently bought by the Museum of Contemporary Art San Diego due to a claimed export license problem. Is China trying to censor Ai’s work abroad?
The Smithsonian Board of Regents met on January 31st with Smithsonian Secretary G. Wayne Clough to discuss the fallout from the recent censorship scandal at the National Portrait Gallery. In its released report, the Board fails to make a strong statement against the censorship but suggests several ways forward for better practice in the future. Secretary Clough isn’t going anywhere.
Today is the day that Smithsonian Secretary Wayne Clough is going to face the press in Los Angeles to answer questions related to the Wojnarowicz censorship case.
I’m sure there will be lots of news from the event, particularly since LA Raw will be protesting the appearance at the Biltmore Hotel, but before things kick off, we wanted to get you up to speed on the latest developments.
We will be chiming in about the VIP art fair tomorrow, but until then I couldn’t resist sharing this snark from art blogger Tyler Green.
A website is somehow an “art fair?” Uh, OK. I’m pleased to announce that MAN is now the Modern Art Notes Art Fair.
Christmas blues got you down? Have I got the solution for you! Check out a hot fresh batch of links for the lead-up to Christmas and all that other stuff, sure to delight, entertain, educate and amaze. I guarantee there is no Wojnarowicz or Blu content to be found. Above, I’ve switched out Natalie Jeremijenko’s upside-down trees at Mass MoCA for Christmas evergreens. How festive!
If you happened to be hiding under a social media rock for the past few days, you might have missed the Guggenheim museum’s short-lived multimedia/indie band/internets extravaganza that was their Youtube-sponsored “Play” biennial. The biennial was in reality a juried exhibition that anyone could submit a video to, the only requirements being that the video had to be made in the past two years and come in under the 10 minute mark. More spectacle than art experience, commentators seem generally down on the show.