Mayor Levar Stoney expedited the removal of seven Confederate statues in Richmond over the past week, but a Richmond judge has approved a temporary injunction blocking the mayor’s order.
“Once we remove the remaining monuments, we can officially say that we were the former capital of the confederacy,” said Stoney in today’s briefing.
Xenogenesis presents a sampling of the Otolith Group’s works from 2011 to 2018, on view from February 22 to May 10. Admission is free and open to all.
A tree is never just a tree, a water source is never just a water source in the works of Barbara Moore and Sharon Adamson. “They’re all signs of ancestral action.”
The Edward Hopper and the American Hotel exhibition invites some visitors to spend the night in a room inspired by one of Hopper’s paintings, and our critic ponders who it’s really designed for.
Taking a cue from James Baldwin, an exhibition considers the way that American racism moves forward — from the arrival of the first ship carrying enslaved Africans to the insidious ways it has trickled through the capillaries of American culture.
This show addresses the force of whiteness, the counter-force of black resistance, and the persistence of the color line in the United States. On view through January 5, 2020.
Students and faculty lead creative projects and discoveries that connect the arts to health care, community justice, computer science, and more.
Graduate students are charting a new landscape of global integration through arts and design.
An unattributed work can catch you off guard, forcing you to drop your defenses and simply look.
Design professor Wes Taylor and dance professor MK Abadoo launch interdisciplinary course that helps students facilitate dialogues on power dynamics through community-building.
Multidisciplinary artist and assistant professor of sculpture, Guadalupé Maravilla, was awarded a Guggenheim Fellowship to continue his exploration of border politics and his personal displacement.