Public Update, a new series from POV Spark, presents its first slate of unconventional nonfiction works.
Leonardo’s “Virgin” meets virtual reality — simpleminded in the extreme.
YouTube creator Syrmor talks to people in an online social game. Their stories are often harrowing and emotional — even though they’re coming from the mouths of cartoon characters.
Dream by experimental musician Philippe Lambert immerses viewers in the strange disorientation of slumber.
I Am A Man by Derek Ham is a VR interactive story set in 1968 Memphis that puts you in the shoes of a striking sanitation worker.
NeuroSpeculative AfroFeminism engages Black womanhood and technological possibility, rejecting the marginalization of people of color in the scientific realm.
Digital technologies for games are developing at an unprecedented pace, compelling us ask how they are potentially shifting society’s relationship to intimacy and social interaction.
The Sands, opening on August 12, features works by 15 artists on rotating display in a one-to-one virtual replica of the Lower East Side gallery Essex Flowers.
Bear 71 VR is an interactive documentary that uses trail camera footage and animal tracking to follow the life of one grizzly in Banff National Park.
Acute Art aspires “to explore and enable the transition from art in the physical world into the new, disruptive realm of VR,” something artists have been doing for years.
An immersive audio experience transports listeners four centuries into the past, when New York was undeveloped and ecologically diverse.
This year’s Versions conference mostly encouraged a more sober, productive, and critical probing of the cultural landscape of virtual reality, augmented reality, and mixed reality.