The disparity between what we expect from domesticity and what lurks beneath the surface generates a finely wrought tension that coils throughout this show.
A rare sighting of an elusive painting.
On Friday night, join the Visual Arts Center of New Jersey and the Film Society of Summit for a screening of Exhibition on Screen: Young Picasso.
Oh, What a World! What a World! brings together a diverse range of artists’ reactions to the anxiety gripping the nation.
Radiant Energy is the first exhibition to feature paintings by Gabriele Evertz, Robert Swain, and Sanford Wurmfeld, key members of this influential group.
By foregrounding the schism between form and content, Rachel Beach is demonstrating the agitated unity of her handmade domain.
Unlike many notable private art collections that serve the public good only after they have been donated to a museum (or turned into museums of their own), the Mott-Warsh Collection was conceived to fulfill a larger social purpose.
SUMMIT, NJ — Extended technique is a term normally applied to musical performance, but Migratory Marks, a show of seven wall works by seven artists, offers a thoughtful accounting of where extended techniques have pushed the boundary of what can be called a drawing, if there is in fact such a boundary at all.
What’s the difference between the lackadaisical and the slapdash? Apparently, a great deal.
Although he is employing the same strategies and materials that he used in his 2010 solo exhibition at DCKT Contemporary on the Lower East Side, I found the just-opened Cordy Ryman: Shuffle / Scrap / Echo at the Visual Arts Center of New Jersey to be a far more convincing excursion.