Posted inArt

The Right Way to Do It Wrong: Three Takes at the Whitney

Last week the Whitney Museum announced its plan for the 2014 Biennial, which entrusts three curators with organizing the exhibition, but not as collaborators. Rather, each individual will be responsible for a single floor of the museum, dividing it, as chief curator Donna De Salvo told The New York Times, “like a layer cake.” This is a new wrinkle in the history of the Biennial, and director Adam Weinberg deserves credit for finding a new direction to take a show that has hit virtually every point on the compass. I read the announcement on the same day that I viewed the Whitney’s commendable Sinister Pop exhibition, and it occurred to me that the museum was already divided into three interrelated layers — or perhaps it would be more to the point to say three case histories — that offer a particular slant on recent developments in American art: Sinister Pop on floor two, Wade Guyton OS on three and Richard Artschwager! on four.