Unlike Mutu’s Met commission, at the Legion of Honor, Mutu continues the reclamation processes into and throughout the museum.
With recent monumental commissions, the artists focus on the imagination’s role in accounting for the past.
To commemorate the 400-year anniversary of the arrival of the first slave ships in the United States, a recent exhibition at the Allen Memorial Art Museum explores Paul Gilroy’s concept of the “Black Atlantic.”
In reflecting on Mutu’s recent commission for the Met’s façade one morning, I realized that her sculptures make space for excellences and joys that dominant Eurocentric histories have ignored and excluded.
The artists were selected as finalists to replace a statue of J. Marion Sims, a 19th-century doctor who conducted violent surgeries on enslaved Black women.
For the first time in 117 years, the empty niches on the museum’s exterior are occupied. Mutu’s four bronze sculpture express resilience and wisdom.
In Black Pulp! at the International Print Center New York, artists and co-curators William Villalongo and Mark Thomas Gibson connect the literary genre of pulp with one of its most powerful vehicles: the story of blackness in the United States.
The first time I saw Stan Squirewell’s work was around two or three years ago.
SAN FRANCISCO — The Jamaican-born supermodel, actress, singer, songwriter, and record producer Grace Jones has been a unique force in many worlds, which has led her to be both a subject and inspiration for much contemporary art.
‘Tis the season of reduced hours and low-stakes group shows at most Manhattan galleries, but two spaces in Chelsea are bucking the trend with summer exhibitions of large-scale murals.
VENICE — As I feel my way through a curtain and into a pitch-black, cavernous space, a white square shimmers in the distance.
Culled from old medical illustrations and National Geographic, pornographic, motorcycle, and fashion magazine clippings, Wangechi Mutu’s writhing female figures have a dangerous beauty to them, one that’s grotesque and alluring all at once. A traveling exhibition — recently closed at Duke’s Nasher Museum of Art and opening in October at the Brooklyn Museum — surveys her experimentation with history, gender, and race since the mid-1990s.