At 83, Bereal is known as a habitual disturber of the peace. That’s not how he’d describe himself, however. “I’m a landscape painter,” says Bereal. “I’m painting the socio-political landscape.”
Viral photos show Nat Small, a police officer in Walla Walla and former US Marine scout sniper, with a tattoo featuring the double lightning bolt symbol associated with the Nazi SS corps (Schutzstaffel).
Donning face masks and gloves, and standing six feet apart, workers picketed the Seattle museum, saying two union representatives were unjustly targeted.
Rebecca Brewer’s complex and dynamic compositions hint at the murky depths of psychological and emotional experience.
Also acting as a space for community gathering, Wa Na Wari offers a long-term solution against gentrification and displacement as vehicles of white supremacy.
To help meet its growing needs in the face of COVID-19, celebrated author and Seattle native Ijeoma Oluo has launched a relief fund for her city’s art community.
Hopefully this renovation is not the endpoint of this institution’s reimagining of what an Asian art museum should be.
PEN America released a five-point guide for writers and journalists after Iranians and Iranian-Americans reported increased scrutiny at US border crossings following the killing of Qasem Soleimani.
Rather than being haunted by the past, Jane Wong views “going toward the ghost” as a method of reclaiming her family’s silenced histories.
A new festival celebrating the region’s creative glassmakers opens October 17-20, 2019 and features 50+ artists and organizations.
Tschabalala Self explores the iconography, interiority, and subject status of Black women in her multimedia portraits.
A reflection on the commodification of Jim Crow’s violence through public memorials.