Art Review
Wayne Thiebaud’s Art Is More Than a Piece of Cake
A lot of the enjoyment of Thiebaud’s retrospective is spotting the Easter eggs of earlier art, whether overt, covert, or something more subtle.
Art Review
A lot of the enjoyment of Thiebaud’s retrospective is spotting the Easter eggs of earlier art, whether overt, covert, or something more subtle.
News
An exhibition at the Legion of Honor is billed as the first to explore the artist’s “reinterpretations” of works by his artistic influences.
News
He mastered the textures of frosting, meringue, and donut glaze, but was also known for his dizzying cityscapes and Pop-like humor.
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The new exhibition Wayne Thiebaud Influencer: A New Generation celebrates the UC Davis professor’s legacy at work today.
Art
The Swiss artist Nicolas Party is both the subject and curator of Pastel, an extraordinary exhibition examining the under-appreciated, fugitive medium and its history.
Art
An exhibit at the Morgan Library & Museum lends a few helpful insights into who and what have inspired this 97-year-old artist (beyond the sugary obvious).
Art
Wayne Thiebaud gets you to think about the folly and hubris of shaping the landscape to suit our needs.
Art
If painting maps the mind, then Steve DiBenedetto must be a very interesting guy to hang out with.
Art
Sharon Core does not simply make photographs of still lifes that exactly re-create paintings, she creates the still lifes — literally.
Art
Jock Reynolds, the Henry J. Heinz II Director of the Yale University Art Gallery (YUAG), has held his job for 16 years now but has the energy of a man who is just getting started.
Art
SAN FRANCISCO — Wayne Thiebaud, whose exhibition Memory Mountains recently closed at the Paul Thiebaud Gallery in San Francisco, turns 94 this year. Consisting of nearly fifty paintings and drawings of mountains and mesas done between 1962 and 2013, this survey exhibition reveals another side of a p
Art
I was lucky enough to see Wayne Thiebaud: 70 Years of Painting at the San Jose Museum of Art (February 27–July 4, 2010) and write about it for The Brooklyn Rail (July–August 2010). As with that exhibition, many of the works now on view at the Aquavella Galleries’ posh, mirrored townhouse on Manhatta