This week, the first-ever NFT and lost promise, a Cree-based programming language, a 16-year-old architecture critic, Queen Victoria’s drug habits, and more.
Today, NFT legal issues, looking closely at Bosch, talking to Beeple, Ken Burns on documentaries, superhero pay, and more.
The Belgian artist Ilse D’Hollander rejected abstraction and figuration as an either/or premise in favor of a path that embraced both.
Two exhibitions by Patricia Satterlee have bookended the plague year.
“Before I Was a Critic I Was a Human Being” by Amy Fung is a collection of linked personal essays about language, displacement, and ownership — about being both an “outsider” and an “intruder.”
Ulala Imai does more than project human feelings onto toys; she proposes that they represent us, and that we share some of their qualities.
Ungaretti should be numbered among the ranks of such Great War poets as Wilfred Owen, Siegfried Sassoon, and Isaac Rosenberg.
This week, Hong Kong’s culture scene is facing major challenges, an NFT “house” sells big, Ishmael Reed on Alice Walker, Woody Allen’s manipulation, and more.
Izumi Kato’s exhibition at Perrotin dispatches us to long-forgotten realms of childhood, when the world was full of benign, sinister, weird, and mysterious beings.
No matter how optical a color may become, our experience of it is — to state the obvious — visceral.
Jane Irish’s work offers an archive of painterly traditions juxtaposed with horrific acts of violence driven by the moneyed class.
Flipping through Seth Siegelaub’s collection of writings and interviews is a bit like diving into an archive without a finding aid, as exhilarating as it is overwhelming.