There is so much information handed to us in the exhibition, Eileen Agar: Angel of Anarchy that we risk forgetting what we might think if we came fresh to a painting.
Weekend
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Alex Caldiero, Outsider and Naysayer
Caldiero’s language experiments are rooted in the land and anchored in his body, at the junction between his brain and his larynx.
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Art, Branding, and the Illusion of Authenticity
Emily Segal’s novel provides a wickedly sharp depiction of the socioeconomic and cultural conditions of New York’s creative community.
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An Artist Between Two Worlds
Nearly 50 years ago, Choong Sup Lim left South Korea for New York City in search of freedom in art and life.
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Another Chapter of Black Art History
The legacy of Cinque Gallery demonstrates that the work of Black artists between 1969 and 2004 was as diverse as its mainstream counterpart.
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Carol Hepper, Force of Nature
Hepper welcomed absurdity in her juxtapositions of the organic and the fabricated, unafraid of making sculpture that could raise a laugh, or an eyebrow.
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Required Reading
This week, a giant mural by Nina Chanel Abney, taking down ALL statues, the Ivy League cartel, the trope of the old woman artist, artwashing and extractivism, and more.
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A Painter of the Bloomsbury Group Comes Into View
You could say that Nina Hamnett fell victim to her own reckless self-mythologizing.
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Ecological Art Infused by Memoir and Identity
Gyun Hur’s and Shoshanna Weinberger’s installations emphasize poetic innuendo rather than overt autobiography.
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A Deep Dive Into Walter Benjamin
The Benjamin Files by Fredric Jameson explains everything by reference to everything else, in a way that often makes the narrative all but impenetrable.
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Jasper Johns: Hiding in Plain Sight
Johns has repeatedly used one motif whose source has never been identified.
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Alvin Armstrong’s Black Bodies in Motion
Armstrong’s paintings explore the role of Black athletes as agents of social change even as white fans push back.