There is so much information handed to us in the exhibition, Eileen Agar: Angel of Anarchy that we risk forgetting what we might think if we came fresh to a painting.
Weekend
Posted inArt
Alex Caldiero, Outsider and Naysayer
Caldiero’s language experiments are rooted in the land and anchored in his body, at the junction between his brain and his larynx.
Posted inBooks
Art, Branding, and the Illusion of Authenticity
Emily Segal’s novel provides a wickedly sharp depiction of the socioeconomic and cultural conditions of New York’s creative community.
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An Artist Between Two Worlds
Nearly 50 years ago, Choong Sup Lim left South Korea for New York City in search of freedom in art and life.
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Another Chapter of Black Art History
The legacy of Cinque Gallery demonstrates that the work of Black artists between 1969 and 2004 was as diverse as its mainstream counterpart.
Posted inArt
Carol Hepper, Force of Nature
Hepper welcomed absurdity in her juxtapositions of the organic and the fabricated, unafraid of making sculpture that could raise a laugh, or an eyebrow.
Posted inArt
Required Reading
This week, a giant mural by Nina Chanel Abney, taking down ALL statues, the Ivy League cartel, the trope of the old woman artist, artwashing and extractivism, and more.
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A Painter of the Bloomsbury Group Comes Into View
You could say that Nina Hamnett fell victim to her own reckless self-mythologizing.
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Ecological Art Infused by Memoir and Identity
Gyun Hur’s and Shoshanna Weinberger’s installations emphasize poetic innuendo rather than overt autobiography.
Posted inBooks
A Deep Dive Into Walter Benjamin
The Benjamin Files by Fredric Jameson explains everything by reference to everything else, in a way that often makes the narrative all but impenetrable.
Posted inArt
Jasper Johns: Hiding in Plain Sight
Johns has repeatedly used one motif whose source has never been identified.
Posted inArt
Alvin Armstrong’s Black Bodies in Motion
Armstrong’s paintings explore the role of Black athletes as agents of social change even as white fans push back.
