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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Wendy Red Star

Posted inArt

Wendy Red Star’s Empowered Vision of Crow History

by Lauren Moya Ford April 21, 2022April 21, 2022

One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.

Posted inArt

Wendy Red Star Is Teaching Children About the Crow Nation With Her Art

by Karen Chernick August 6, 2020November 29, 2021

“You don’t have to make things easy for them,” says Red Star about her new exhibition for children at MASS MoCA.

Posted inArt

Channeling the Nuances of Motherhood Into Art

by Coco Picard April 29, 2020April 29, 2020

The debut exhibition at New Mexico State University explores the nuances of labor — in birth, in childrearing, and in intergenerational collaboration.

Posted inArt

Artists Find Power in Erasure

by Cassie Packard January 3, 2020January 3, 2020

In Otherwise Obscured, effacement, redaction, and illegibility are positioned as tactics that artists can employ to combat, highlight, or heal sociopolitical invisibility.

Posted inArt

An Attempt to Redefine Feminist Art Has Some Surprises

by Julia Friedman February 25, 2019

With over 125 pieces on view, Half the Picture could have been refined, showing fewer works without compromising its curatorial punch.

Posted inArt

A Museum Gains Prominence Through Collecting Native American Artists’ Work

by Jonathan Rinck February 21, 2019February 20, 2019

A gem of a museum in Ohio known for European masterpieces, gains contemporary relevance.

Posted inArt

Headless Trophies for Our Cultural Decadence

by Daniel Larkin August 25, 2016August 25, 2016

PORTLAND, Oregon — What can a herd of headless deer painted gold with gaudy tinsel tails teach the 1% and the rest of us? The answer is a lot.

Posted inArt

Three Native American Artists Challenge a White Ethnographer’s Legacy

by Jennifer Rabin April 15, 2016April 20, 2016

PORTLAND, Ore. — If you type the words “Native American” into Google image search, the majority of the results will be Edward Curtis photographs

Posted inArt

A Century of Indigenous Printmaking in North America

by Allison Meier June 17, 2015June 17, 2015

OKLAHOMA CITY — With nearly 100 prints from artists around North America, Enter the Matrix: Indigenous Printmakers at the University of Oklahoma’s Fred Jones. Jr. Museum of Art (FJJMA) celebrates the medium’s rise in the 20th century.

Posted inOpinion

Rethinking American Indian Influence on Bushwick Art

by Daniel Larkin June 16, 2015June 17, 2015

My recent article on Bushwick Open Studios for Hyperallergic tried to discuss the influence of American Indian spirituality on the new age symbolism that I saw in many art works. However, the article didn’t capture this fraught process of appropriation and commodification well enough.

Posted inArt

In Plains Indians Exhibition, Met Museum Favors Beauty Over Context

by Ellen Pearlman April 14, 2015April 16, 2015

The Metropolitan Museum has mounted a show of 137 rare pieces of art of the Plains Indians, on loan from 58 different international collections.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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